Bread & Roses is cheating

For the virtual expo Bread & Roses is cheating we invited friendly heritage institutions to share special pieces from their own collections that, in their opinion, resonate with the meaning of the legendary slogan behind the magazine's name:We want bread and we want roses too'.

Since the beginning of the twentieth century, that powerful slogan has symbolized social justice worldwide. Bread refers to the right to fair wages and economic security. Roses represent everything that makes life more than mere survival: culture, nature, education, beauty, freedom, and equality. Together, they express a desire for a dignified and just existence. An aspiration that is just as relevant today as it was then.

Bread & Roses is cheating brings together a multifaceted selection of objects, images, documents, and stories thanks to the enthusiastic cooperation of numerous heritage institutions.

The Mechelen City Archives provided us with two remarkable pieces that paint a vivid picture of anarchism in the city on the Dyle at the end of the 19th century.

A combative pamphlet and a photograph from the Mechelen furniture industry together show how political conviction and the reality of work were closely intertwined.

Women in the Mechelen chair-making industry, late 19th century - Mechelen City Archives

Anarchist Manifesto to the People of Mechelen

Pamphlet, 1894. (SAM, Modern Archive, V 390/2, election printed matter, 1894)

The struggle for universal suffrage at the end of the 19th century was often very turbulent, even within the socialist movement. For instance, anarchist dissidents could not always accept the compromise approach of the BWP leadership.

In 1893, this anarchist resistance reached a peak in a number of Flemish cities. In Antwerp and Ghent, among others, the revolutionary movement was short-lived, but in Mechelen it proved more steadfast. Somewhat surprisingly, the city on the Dyle grew into a hotbed of anarchism in Flanders.

It could count on a hard core of trade union militants within the Mechelen furniture industry, particularly among the chair makers. In the run-up to the 1894 elections, the Mechelen anarchists attempted to convince voters with, among other things, a speech commemorating the bloody suppression of the Paris Commune in 1871.

Women in the Mechelen chair-making industry, late 19th century

(Regional Image Bank, SME001005296, watch online)

Chair making was very typical within the Mechelen furniture industry. Weaving chair seats from straw was work often done by women and largely carried out at home.

The Mechelen chair was a cheap but solid mass-produced item. However, the low cost often led to abuses for the workers, such as mandatory payment in kind, for example with bread.

Take a closer look at the images

More about the anarchist movement in Mechelen

  • Jan Moulaert, Red and Black, The Anarchist Movement in Belgium, 1880-1914, Leuven, 1995
  • Dirk Wouters, The Mechelen anarchists (1893-1914) in the context of the rise of socialism, sn, 1981

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The Mechelen City Archives is the central historical documentation centre of Mechelen and the repository of the archival heritage. As a city service, it collects and preserves documents about the city, the region, and its inhabitants, and makes them accessible to the public.

To the website of the Mechelen City Archives