In 1933, the editions of the arts and graphic arts in Paris published a series of young women from Cami and Sasha Stone (unique credits for Sasha Stone) based on the format of a portfolio of 20 initial plans for women . And in the meme année, the Stone present à la Maison d'Art de Bruxelles, under the direction of Charles Leirens, a complete exhibition of the photographs taken by the même thématique. Cette partie de leur travail semble avoir particulièrement ravi la presse artistique de l'époque. Nombreux sont les commentaires vantant les qualités plastiques et esthetiques des images. A Belgian journalist, a journalist of Les Beaux-Arts, Bulletin de la Vie Artistique souligne la qualité artistique des épreuves qu'il charactérise de « dures et puissantes » et « d'une virilité accomplie » et d'ajouter « don't hesitate to ask for more details Mme Stone, this is the first step in the way you look at the relationship with women and how you look at them in the light and the results of your rivalry with Sasha Stone ». The sexist character of the type of reference between the two is different. As a matter of fact, it is interesting to observe the artist's valor of the Cami and consider the quality of Sasha's cell, so it is important to know the nature of the cette dernière. The images used, the photographic images taken with different angles, and the distortion caused by certain things. Ils jouent des ombres et lumières soulignant les volumes des corps, rappelant la formation initiale de sculpteur de Sasha. If you choose the models "in your life", you are free to follow the Cami Stone, and you are willing to affirm that you are the only professional model according to the standards. There are more editions of the current portfolio, a series of editions by the Arts and Métiers graphiques. Cami réalisera notamment, dan les années 1950, une réédition de l'ensemble qu'elle mettra en vente dans son magasin de bruxellois photographs.
Galleries
