Photographies d'artistes en représentation, des coulisses, des répétitions : les Stone, et particularière Sasha, réalisent tous types de photographies dites « de spectacle ». And Allemagne, the metteur en scene et fondateur du théâtre prolétarien Erwin Piscator's association with Sasha Stone for the production of the images of the son nouveau théâtre. Le photographe réalise alors de nombreuses vues des actors en représentation, des répétitions et même des décors mettant en avant la modernité de Piscator. The images of the actresses and the actors are all the souvenirs of the stylistic features: the use of an angle of view and a long look, the frame of the body of the artists, the accentuation of the light on the plateau and the impression of the shadows of the portraits. Cami and Sasha Stone use the mêmes codes for dance photographs. The ensemble of stones takes advantage of Sasha's notoriety and also uses the theater's photographs to propose dance photographs. Then there is the second category, the capacity of the stone to capture the movement of a contemporary souvenir.
The series of « Renaudins » includes the stylistic features of the stone's sculptures. The creation of the "Renaudins" was a Belgian ensemble active since 1930 based on the direction of Madeleine Renaud-Thévenet, professor of declaration at the Conservatoire Royal de Bruxelles. Le nom du chœur est tiré de son patronyme. In this photographic manner, the Stone is also attentive to the response of the ensemble for its cohesion. The group, and not the individual, is particu- lar and avant-garde with its aesthetics and gesture.
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