In the archive history of the attachment of the political clair of the stone, the practice is marked by the interest in social causes. This is because they were born in Berlin and their friends were the first of Sasha Stone to the proletarian theater of Erwin Piscator during the Belgian decade of the marquée par leurs multiples pour le Parti ouvrier belge et Misère au Borinage, les Stone montrent volontiers un lien avec la pensée socialise. Plusieurs de leurs photographies represent the codes of photographic politics: the interest in the "small trades", the recognition of the image of the social misery or the heroization of the figure of the traveler. And in parallel, Cami and Sasha Stone develop an interest in the anecdotal image, picturesque images, the life style. Ils photographic note of the habitués of the courses cyclists or the places of the march. Le livre Gand, publié en 1936, compte de nombreux exemples de cette pratique.
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